Traditional signwriting means by hand – not by rip-off digital stencil!
What it means to have a sign written by hand –Â and not by digital stencil!
I am a dedicated professional sign artist with 31 years of experience and dedication by brush… I speak with a lot of writers who have given it up – they have sadly opted for digitally produced stencils (it’s always a good idea to check your signwriter will paint your sign by hand brush – without digital stencil).
The stencil is cut by computer and laid in place – it is low tack after it is rubbed in and flat the stencil is painted with a flat fill-in brush and when that coat is just dry the stencil is peeled off leaving a sharp digital painted letter – a lot like vinyl in final appearance but without the problems of shrinkage.
I find this really quite sad and alarming – are some touting Traditional Signwriting? Often yes and the unsuspecting client pays for a traditional painted sign and gets a quick stencil rip.
When a sign writer crafts your logo with the brush it comes from thousands of hours of dedication – it embodies this dedication in a flowing emblemic quality, that fills the work with a whole essence of artistry and commercial power… and if needed either the warmth of traditional sign romance, classic elegance or cool minimalism.
For example on a straight letter a writer will flair the letter at the corners to add a sharpness, refinement and tempo.
The Traditional writer will adjust letters at will. Â I, for example change certain letters if I feel the font is designed solely for paper or on-screen reproduction. Â Good writers improve fonts.
Either way a digital sign stencil can’t match the human in human terms can it… and yes while digital is by nature pin point accurate, it should cost you far less, because it is only a shade better than cheap vinyl and incredibly easy to produce. Â There are skills involved but zero artistry.
Digital stencils are used and passed off as genuine signwriting and that is what I aim to head you up on here – the final artwork will lack flow, depth and beauty. Â But if you want it, go to a non traditional sign company and get a good deal at the right price.
Traditional Signwriter Nick Garrett FROGZ Brick Lane London
FROGZ Brick Lane London Signwriter Nick Garrett
The whole brand developed over 4 days in paint on ladder!
Frozen Natural yoghurt arrived on day 3 and needed serious sampling so we all leant a hand … had to help out where we could.
My favourite was the vanilla…
Frogz open on 21 July!! Be There the tastes are awesome a the shop is suberrr cool!
FROGZ Brush n Brand – 20 Hanbury St., Brick Lane. London Signwriter, Nick Garrett
SIGN WRITING ON VANS – NICK GARRETT TRADITIONAL SIGN WRITING
Van decals written by hand were the only way to go until the mid eighties, and overnight the sign written vans and truck industry evaporated – vinyl had arrived and decimated our business.
Above: CITYRAMA one of my first big vehicle sign writing commissions in the early eighties
Today signwriting is about to make a big return to vehicles and the like and that is good news for all.
Traditional signwriting speaks volumes!
Nick Garrett
NGSigns London
SIGN WRITING ON VANS – NICK GARRETT TRADITIONAL SIGN WRITING
Another Project On The Way
Motif Magic Nick Garrett
NIck Garrett for Traditional hand painted signwriting – since 1981
Above – The classical Roman letter in the modern format – 16 Camden Passage
Foliage mural sample for POD St Giles High St., London
The Motif today – Traditional London sign-writer Nick Garrett
Decorative motif is making a resurgence these days in signwriting, brand and graphic design and frankly I love it!  As a dedicated signwriter I just love work that is varied, creative and fun… here are few recent mural motifs showing quite a variety of themes.
When designing a sign or mural I provide detailed layouts that present all aspects of the project.
TESTIMONIALS – Traditional London sign writer Nick Garrett
Identity Design Shortlist
Identity Design shortlist
Thu, 14 Jun 2012
Hall & Rose Identity by Elmwood
Hall & Rose is a small, independent company that makes soft furnishings by hand. It briefed Elmwood to create a new identity that would raise awareness of the brand and set it apart from competition. The visual identity uses a needle and thread to create a mark based on the letter ‘H’, which references the company’s handcrafting expertise.